You own a professional digital camera. So, why don't your pictures look like the pictures used by professional photographers and what can do about it? Here are some suggestions to remedy the quality disparity and impress your friends.
Move In Closer -When your subjects are the size of ants roaming on a huge background, it is hard to know what the subject really is-unless the background is the subject. Moving in closer can isolate your subject and keep the viewers eye focused on just that! One way to practice doing this is to first take the picture as you normally would, then move in closer for a tighter shot. Then, move in closer still (or zoom in)to capture a detail such as just the eyes, or the inner part of a wagon wheel, or the very center parts of a flower.
Just take care to avoid getting so close you camera or lens can't focus on the subject! Macro lenses and settings are great for really close up shots.
When taking a 2nd or 3rd shot of a subject, don't worry about cutting off the tops of heads or fitting the whole subject in the frame-sometimes details make more interesting pictures.
Use depth of field to your advantage - Practice shooting with different apertures and see how the results affect your photos. Using a smaller aperture (f-stop) will result in a smaller depth of field-lending you a sharp subject with the background, the foreground and everything else blurring nicely out of focus. This can really help to put the focus on your subject and isolate a cluttered background as well.
Likewise using a larger aperture (bigger f-stop 3) will give you a greater depth of field necessary to hold everyone in a group in focus or make for a stunning landscape shot.
Look at the Light - Practice studying the light you are working with and learn how to use it to your advantage. For example, to create a dramatic silhouette, place your subject in front of a striking colorful sunset and your camera will likely meter for the bright sunlight tones and render your subject completely dark. You wouldn't want to do this though if you wanted to see detail in your subject! Generally even lighting provided by directional shade (under an overhang outside) will be most flattering for portraits. Window lighting can be nice as well. Generally on-camera flash is harsh and flattens your subject-avoid this if you can!
Vanessa Honda is a Newport Beach Photographer who specializes in family portrait photography.
Article Source: http://EzineArticles.com/?expert=Stephen_Honda
Move In Closer -When your subjects are the size of ants roaming on a huge background, it is hard to know what the subject really is-unless the background is the subject. Moving in closer can isolate your subject and keep the viewers eye focused on just that! One way to practice doing this is to first take the picture as you normally would, then move in closer for a tighter shot. Then, move in closer still (or zoom in)to capture a detail such as just the eyes, or the inner part of a wagon wheel, or the very center parts of a flower.
Just take care to avoid getting so close you camera or lens can't focus on the subject! Macro lenses and settings are great for really close up shots.
When taking a 2nd or 3rd shot of a subject, don't worry about cutting off the tops of heads or fitting the whole subject in the frame-sometimes details make more interesting pictures.
Use depth of field to your advantage - Practice shooting with different apertures and see how the results affect your photos. Using a smaller aperture (f-stop) will result in a smaller depth of field-lending you a sharp subject with the background, the foreground and everything else blurring nicely out of focus. This can really help to put the focus on your subject and isolate a cluttered background as well.
Likewise using a larger aperture (bigger f-stop 3) will give you a greater depth of field necessary to hold everyone in a group in focus or make for a stunning landscape shot.
Look at the Light - Practice studying the light you are working with and learn how to use it to your advantage. For example, to create a dramatic silhouette, place your subject in front of a striking colorful sunset and your camera will likely meter for the bright sunlight tones and render your subject completely dark. You wouldn't want to do this though if you wanted to see detail in your subject! Generally even lighting provided by directional shade (under an overhang outside) will be most flattering for portraits. Window lighting can be nice as well. Generally on-camera flash is harsh and flattens your subject-avoid this if you can!
Vanessa Honda is a Newport Beach Photographer who specializes in family portrait photography.
Article Source: http://EzineArticles.com/?expert=Stephen_Honda
Aucun commentaire:
Enregistrer un commentaire